– Mastering plugins logic pro x free
This creative, powerful synth is one of the most popular Logic Pro free synths out there. Surge is an absolutely wonderful tool, featuring an expansive selection of oscillator controls, filters, modulation parameters and even on-board FX units. It also comes with a whopping patches and over wavetables!
Pendulate is a free VST synth with a wild temperament and a truly unique design. Pendulate can be used to create searing leads, aggressive basslines, lush, evolving pads and everything in between.
However, it does come with a generous selection of presets to experiment with, and after a while its novel design becomes a lot easier to naviagate. In our opinion, Logics stock vocal processing plugins are somewhat lacking. Graillon has an industrial-style, intuitive GUI and is incredibly beginner-friendly.
When the Correction module is activated, Graillon will begin to snap your vocal sounds to specific notes which you can choose using the small keyboard section at the bottom of the interface. You can then control the speed of the autotune, smooth the tuning and edit the snapping range of the plugin. In our opinion this free Logic Pro VST plugin sounds great out the box, but these controls give a lot of creative freedom over your autotune effects.
Graillon is a highly versatile creative tool, and is capable of creating anything from robotic, futuristic autotune to smooth, subtle pitch-correction. Fresh Air is a free effect plugin by Slate Digital that enhances the presence and colour of your sounds. Plus, it works perfectly in Logic Pro. The interface features two main knobs Mid Air and High Air, with each knob affecting a different frequency range. Mid Air adds some neutral frequencies and a clean, spacious effect, and High Air adds brightness and clarity to the sound.
Fresh Air sounds particularly impressive on vocals , making it incredibly easy to add high-end, crisp tones to a vocal track. Plus, it also sounds fantastic on many other sounds, such as snares, leads, pads and more!
Despite its simple, stripped-back design, Fresh Air is a useful tool for both beginners and advanced producers. CollaB3 by Sampleson is a free vintage tonewheel organ emulation with a gorgeous, true-to-the-original sound. It includes panning controls for the left and right channels, a vector scope display, global stereo width and pan controls, PPM Input and Output meters, a phase correlation meter, and a variety of other useful features.
Being able to sculpt your signal using an equalizer is essential for a mastering engineer. This linear-phase band graphic equalizer is impressive in both functionality and sound. Being able to work in mid-side mode allows the user to treat information in the center separately from the sides, which, when used properly, can result in a much clearer stereo spread, and a more defined space amongst individual elements. I generally believe that in audio, you get what you pay for, but each of the aforementioned plugins are exceptions to this rule.
As I cover in my new course Mastering in the Box, there are some incredible plugins available for anyone interested in computer-based mastering.
Although nothing can replace an experienced engineer, working in an expertly designed room, on high-end equipment, there are some fantastic free tools avai Play Video.
Train Your Ears Become a Member. Search for:. Articles Mixing Recording Producing Mastering. Share Tweet. Mastering in the Box with Ian Vargo As I cover in my new course Mastering in the Box, there are some incredible plugins available for anyone interested in computer-based mastering.
He has worked on numerous major label and independent records.
Mastering plugins logic pro x free. 5 Free Plugins for Mastering in the Box
The plug-in can be controlled in real time with MIDI or automation: it is capable of absolutely zipper-free clean and continuous time-varying equalization with no latency.
Traditional minimum phase shelving IIR filters also have been implemented in order to allow further adjustments. The tilt of the slope can be set by the linear tilt knob. Isol8 is an advanced mix monitoring tool. It divides the frequency range into 5 bands. These 5 bands can be soloed or muted individually. This will help you to concentrate on certain frequency ranges during the mixing and mastering process. Isol8 is originally designed to be used on the master track, but it can also be used on individual audio track buses.
SonEQ is free equalizer plugin that takes parts from some vintage gear and combines them in one. SonEQ has 3 bands, bass, middle and treble. Also, SonEQ has a pre-amp section. SonEQ Pro is four-band equalizer inspired by various high-end analog equalizers. As such, SonEQ Pro aims to serve as a first choice equalizer for mixing engineers of all genres.
It’s a very versatile classic analog VCA compressor which offers a lot of sound shaping options with a gorgeous graphical user interface. This is a shape control for the attack curve of the compressor: it allows you to fine-tune the attack shape so that you can really optimize the attack behavior for any kind of audio source! SAFECompressor is a semantic compressor, it can load settings by typing descriptive words.
The SAFE plug-ins are a series of audio plug-ins which allow the user to provide timbrel descriptions of the audio they are processing with them. The plug-in then analyses the audio and saves the data to the SAFE server.
This data is collected from all the users and analyzed to give a general synopsis of what types of sound a given descriptor is used for. Users will be able to load plug-in settings by typing in descriptive words of how they want the audio to sound. The more people who upload descriptors to the server the better the downloaded plug-in settings will get.
MJUC jr. With its two gain stages and inter-stage transformer simulation, it offers a very deep and lively soundstage. The three-position timing switch not only controls the attack and release times of the unit, but also the slew rate of the transformers and the timing of the other parts of the circuitry, that are directly influencing the generated harmonics saturation.
It’s combining very natural, dense compression characteristics of the early days of this type of compression with a more forward sounding approach and more harmonics creating of the variable-mu comps of the early ‘s. The mkIII version of this compressor introduces quite a lot and deep optimization of the compressor engine especially but not limited for its use in audio mastering situations.
The transient response is spot on now over the entire spectrum and it creates sonic depth and dimension: It renders audio like a three-dimensional image. Density mkIII not only transients are managed in a musical and mastering grade fashion — but it also renders a three-dimensional audio image, which truly supports perceived depth and dimension. Harness ultra-fast attack time on bass, guitars, vocals and more.
Add color, character, and vibe to signals without using compression. Discrete design. Super-fast attack time. Input and output stage distortion. Improved input control. Select-able ratio. Sample Rate support up to kHz.
With just a few quick adjustments to its four-knob interface, you can breathe new life into those ‘s that have been muddying your mix.
Philteroid is a dual filter effect, suitable for use on various type of rhythmic sounds i. Beside pure filter work, Philteroid is also capable of FM, AM, and saturation, and can transform plain sound to one with unique character and interesting texture. Filters can be synced in eleven predefined harmonic offsets between filter frequencies and modulated internally by audio signal FM , ADSR envelope, envelope follower, LFO; or through the external input.
Philteroid is also armed with various amplitude modulation sources and can be used as envelope sharper, expander, noise gate, ring modulator. Output audio limiting, stereo link, a release of attenuation and few types of limiting. Show maximum attenuation. All that you need to clean disturbing sounds. Made based on our research in the field of wave attenuation of the high peak that creates problems audition: rattles, crackling, distortions, and other unwanted sounds.
Quality and performance make Frontier a perfect tool for almost any studio situation. Its simple and clear interface in combination with excellent sound quality will surely be appreciated by any engineer looking for an efficient way of controlling dynamics of a channel, bus or even master output. Rescue MK2 is the major overhaul of the analog style modeled signal designer already introduced back in This powerful technique can be used on single tracks or groups tracks while mixing or even on a master bus in final mastering situations.
Additionally, A1StereoControl brings you the possibility to place your stereo signal inside the stereo field in a very intuitive way. UpStereo is a simple, useful tool as it makes your mixes bigger, in stereo width and loudness. Using three basic systems:. BitterSweet v3 is Flux:: acclaimed transient processor used by hundreds of thousands of users for audio transient management with the simple turn of a knob — Turning it to the Sweet side reduces the transients, and turning it to the Bitter side magnifies the transients.
True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal. Transient Integration, Provides three different modes of transient processing; Fast, Medium and Slow. Open Sound Control Support. It is designed to retain the original character of the music as much as possible even at high compression levels.
The higher the frequency, the greater the probability that the true peak will be between two digital audio samples. These true peak overshoots can be up to 3 dB for clean band-limited audio and even much more for pathological signals. There is a true art to mastering. It takes time to program your ears for all of the subtle adjustments that need to be made. Always keep a back up version of the master aside from the one that you begin with. This way, if need be, you can scrap it and start over.
This process does take some time to learn. Just like anything else in life, practice makes perfect. In this process you will fine tune the mix as a whole. A good rule of thumb is to find a good reference track and attempt to match it. Remember mixing is not mastering. You are not changing anything, you are simply polishing the end result. While different producers have different mastering chains and it is always a debate on how to approach it, I have kept it basic.
Some of the plugins above perform similar functions. So you can try them out and then decide what works best for your application. Out of all the the following functions, these are my top 3 picks of free audio plugins for mixing and mastering.
OTT is applied to normal multi-band compression to balance the sound and large amounts of upward compression to bring it up front and loud in the mix. Modern electronic music relies heavily on over-compressed sounds.
Since the plugin is on the master channel, adding only a small amount of the effect goes a long way. Use the L, M, and H knobs for even more control over the sound.
Toned is a specialized tone-shaping plugin with analog modeling. It is designed primarily for use in the mastering process or on two-track audio busses. Toned uses two distinct equalization processes: a three-band tone-shaping matrix, and a specially designed high pass HP filter. The three-band tone-shaping matrix uses a crossover-style filter bank of first-order filters -6dB per octave.
This type of equalization produces very gentle and broad filtering, with minimal alteration of phase. Very wide boosts and cuts can be accomplished while still sounding natural. This style of equalization also mimics some of the interactions between frequency bands that are commonly found in passive analog EQs and analog tone controls.
MSED by Voxengo is a powerful tool for any mastering engineer looking to both monitor and affect their stereo image with one tool. MSED is an encoder and decoder that can sum channels, separate stereo signals into Mid and Side, swap channels, invert phases, and a lot more.
A mid-gain function allows you to increase the gain of your mid-channel, in turn making your mix or master more centered. The side-gain function allows you to increase the gain of your side image, in turn making your mix or master wide. Like all Voxengo plugins, an A B comparison tool allows the user to compare two sets of settings. If you want to learn more about mid-side processing and stereo imaging, check out our blog post and video that covers this topic:. The bands include Low frequency, low mid-frequency, mid-frequency, high-mid frequency, and high frequency — all of which can be controlled by altering the 4 cross-band rotaries at the top.
These bands can quickly be soloed or muted, and multiple bands can be chosen at once if needed. The monitor section allows you to solo your left, right, mid and side channels. Lastly, a dim and an output knob allow the user to adjust the level of the signal, or to quickly attenuate it if needed.
The display is unique in that it shows a spectrogram from variable and controllable angles. By clicking and dragging the display, you can alter the angle, in turn getting a new perspective on the frequency range and amplitude of your mix or master. The window can be adjusted to 3 sizes, and three modes can be engaged that alter the display between frequency, time, and a point-based display that seems to take both into account.
The speed alters the rate the lines refresh whereas the density alters the number of lines displayed. Lastly, the scale alters how exaggerated the lines respond to the amplitude of the signal. Although I personally found this plugin to be a lot more aesthetically pleasing than a typical frequency analyzer, I did notice that it can negatively impact the sound of a master by causing jitter. That said, be sure to remove this plugin from your inserts prior to export your mix or master.
An input rotary introduces up to 24dB of gain, as does the output rotary. With these two functions, you can easily create saturation and harmonic generation by increasing the input and decrease the output. The plugin also 3 various model modes including Grey, which is the cleanest option, Blue which creates high order harmonics for a crisp and bright sound, and black which creates mid to high order harmonics for a full sound.
The XFMR mode enables 1 transformer emulation when the plugin is in track mode and 2 transformer emulations when the plugin is in bus mode. Lastly, two equalization knobs control which harmonics are more prominent, with the low rotary increasing the amplitude of low order harmonics, and the high rotary increasing the gain of high order harmonics. Beyond the aesthetics, the plugin offers a lot of functionality and a great sound.
The threshold enables an auto make up gain function that increases the overall amplitude of the signal whereas the output rotary serves as the ceiling. The release is input dependent but with 3 chasuble modes, fast, medium, and slow. The input can be controlled between the left, right, and mid channels. When the mid mode is selected, the width of your image will be affected. Lastly, a soft clip function allows for gentle to significant harmonic distortion that pleasantly amplifies your signal.
Try the Frontier plugin as a parallel compressor or as a maximizer on your output channel. One thing to keep in mind when using this plugin is that the plugins default setting has the threshold set to dB, meaning the makeup gain will automatically be pretty significant.
The rotary in the middle of the plugin allows you to easily shift between a smooth, transient reduced sound, or an aggressive, transient accented sound. The fast, medium and slow settings on the left allow you to alter the attack time of the plugins dynamic functions, whereas the period slider under the main rotary allows you to change the duration for which the transient shaping lasts. The link icon allows for automatic gain attenuation or makeup based on the settings, but this can be disengaged.
The mode slider alters the incoming signal between mid and side, just mid, and just side. Just as important is the tube-based harmonic generation this plugin provides. The very act of using the plugin or inserting it on your signal introduces complex harmonic generation that makes your signal fuller and more nuanced. The default setting is a great start, but changing your routing to mid and side stereo gives you advanced control over both your frequency response and the stereo image of your signal.
If you have the need for it, the Overtone GEQ can also support various surround sound configurations, making this plugin truly versatile. If mastering, an oversampling function provides an easy way to avoid any unwanted intermodulation distortion and aliasing. A truly unique plugin, and one that stands apart from any of the others on this list, the HPL2 Processor converts any signal into a spacious and natural-sounding one. Designed to provide headphone users with a more realistic sound, the HPL2 Processor gives headphone users an idea of what a mix or master might sound like over loudspeakers.
Just like how NSs allow engineers to hear their mixes on a consumer-grade system, the HPL2 Processor exposes flaws in a mix or master that you may not hear if solely using headphones. By prioritizing the mid-range, and altering some of the phase relationships, this plugin recreates the signal to sound more open — in turn changing a forward and punchy headphone mix into a somewhat washed out and distant sound.
When using this plugin the only parameter you can control is the output. Typically, using this plugin decreases the overall volume by 3 to 6dB , so you will probably be using this to offset some of that attenuation.
It imparts clean compression on a signal and uses input dependent attack and release settings to create a loud and clear mix. The link button enables inter-sample peaking detention, also know as true-peak detection.
Mastering plugins logic pro x free –
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